Inspired by Felix Guattari’s Three Ecologies ( 2000), this article explores recent Orkney literature with an environmental focus (Working the Map—ed. J & F Cumming and M. MacInnes; Ebban an’ Flowan—Finlay, A., Watts, L. and Peebles, A.; The Outrun—A. Liptrot; Swimming With Seals—V. Whitworth) in terms of Orkney ecologies—which are always personal, environmental and cultural. Informed by fieldwork carried out in Orkney, looking at discourse around the development of marine renewable energy in the islands, it argues for the use of ecological dialogism, an approach to language and communication which recognises meaning-making as embodied and emergent within a meshwork (Ingold 2011) of lived experience. It explores the texts as part of an ecology of meaning-making within the naturalcultural (Haraway 2007) world, in which environment, social relations and human subjectivity are inextricably entangled. In this view, literary texts can be approached, not as isolated examples of individual creative expression, but as moments of emergent meaning-making in the dialogue between individual, cultural and environmental ecologies, reaching beyond the page into a living meshwork, where we can think in terms of ‘Ecology as Text, Text as Ecology’ (Morton 2010). These Orkney ecologies entangle the natural, personal, cultural and technological, through and as, stories, emphasising interdependence and care for both human and more-than-human relationships. Such moments of connection offer hope of new narrative possibilities with which to face the uncertainty of an Anthropocene future.